Do rave tracks that borrow riffs from early goth classics count here? Probably not, but I’ll post some anyway.
1980:
1991:
1980:
1990:
1991, and adding a few slightly bum notes to sound a bit different:
Do rave tracks that borrow riffs from early goth classics count here? Probably not, but I’ll post some anyway.
1980:
1991:
1980:
1990:
1991, and adding a few slightly bum notes to sound a bit different:
That Neutron really is a straight-up lift from A Forest, isn’t it?! Not heard this before.
Pretty sure I had that Neutron record without noticing.
For many years I used to bump into Peggy Gou’s favourite producer, Ed DMX, and he’d thank me for / remind me of the records on the Chill label (out of Luton) I’d sold/given him in the early '90s.
Again, wasn’t aware of the steal.
Bloody hell! I never even knew!
Maybe this is already well known to some, but i just heard this on a Jamie Tiller mix and I swear the bass line / melody sequence is the exact same one used on Fatima Yamaha - What’s A Girl To Do
Which one? Dont keep me hanging?
I’m sure you know, but here’s the riff in my favourite version:
and the best bit (the voice, then the silence) in my second favourite version:
Here’s a reasonably well known one…
This from 1979…
…is a direct lift from this 1975 version of a traditional Tunisian folk song⬇️
I don’t know enough about music to be on this forum.
Here’s another infamous one that supposedly resulted in an out-of-court settlement
The verse and chorus of this pop-tabulous hit from the early 80’s…
…‘borrowed heavily’ from this ethno-novelty track from the early 60s (which I think is itself a version of a traditional Australian aboriginal song)
this one is high profile, but in the event it hasn’t been mentioned:
undoubtedly got an angry phone call from the keith jarrett estate. he ended up with a writing credit. he’s not known for being especially “chill”.
Some amazing musical ‘inspriations’ here, some may also be aspirations.